bioart

Science in Art
Welcome to Bioart

Discover the unique blend of medical science and art in our captivating paintings and sculptures.
Our Work

Dr. Monica Pessanha, Pandemic in The Narcissistic Scenario, 2023.
Acrylic and oil on canvas, 27 x 32 inches, New Jersey. © Monica Pessanha.
Photography: Alexandrea Weiss
The COVID-19 Pandemic forced many of us to admit to our vulnerabilities, whether they be our inner selves or our career. On the other hand, pandemic empowered people turned themselves into “scientists” via Google for guidance and reassurance. Whether politicians, engineers, journalists, or citizens, all turned into “scientists”, as if science was their expertise. Doctors and scientists became symbols of hope, media stars, and cult figures. From one point of view this is understandable, as heroes inspire us and bring us together at times when unity is desperately needed.
However, as a scientist myself, I suffered one of the most significant emotional pressure ever: the feeling of neglecting my children by not being at home, or the extra hours of work I had to do to make the scientific reports ready to submit to the medical journals. After all, for those doctors who were treating patients with COVID-19, such treatment depended on those reports from real scientists, not just “heroes,” just to name a few.
There was a social responsibility that was growing larger and larger. As time passed during the early COVID Era, I was beckoned to understand what happened first in Wuhan in 2019 and then to write my “if-then" statement where I could identify the possible variables involved with that and their expected relationship. At the same time, I had to be as assured and as fastidious as possible in my statement because I knew that “honest errors” had no place in those reports, due to the limited capacity to correct them.
Meanwhile, within that narcissistic scenario of pseudo-scientists discovering an answer and seeing one's own portrait spread worldwide as a hero or pointing out someone to blame, I continued bravely researching the COVID disease, struggling with my own weakness, and living inside the same prison bars that everyone found themselves in. I had to live with the weight of the responsibility of truth without the bias of vanity along with the fear of the responsibility of freeing myself from death.
I was not the hero nor the scientist. My feeling was that in fact I was the “impostor,” who made the exhaustive analysis of the lungs’ scars of COVID-19 patients. I was part of the risk group for having TB in the past, and would much rather have stayed at home where I felt safe! Oh, to my dismay, I let the mouse escape but still wore the white cape of hero. I am Dr. PESSANHA who realized that heroism is an ideal that few of us can live up to.
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Dr. Monica Pessanha, Shape Of E-Motion, 2023-2024.
Acrylic and oil on canvas, 48 x 60 inches, New Jersey. © Monica Pessanha. Photography: Alexandrea Weiss
This is an artistic representation of a brain with Alzheimer's Disease. For more than 30 years, the formation and accumulation of amyloid beta (Aβ) plaques have been implicated in the pathophysiology of Alzheimer’s disease. However, the current thinking is that depletion of soluble amyloid-beta 42 (Aβ42) peptide, rather than the accumulation of amyloid plaques themselves, might be the key factor driving toxicity in Alzheimer's Disease. This suggests that maintaining a certain level of soluble Aβ42 could be protective against cognitive decline. This challenges the traditional view of amyloid plaques as the primary pathogenic agent. The cognitive functions of the Alzheimer’s patients are impacted in different ways, raising the possibility that for each patient there is a unique artistic signature. In this painting, I respectfully present my artistic interpretation for those signatures.
The word “e-motion” in the title instead of “emotion” is due to the fact that the latter has no status in science, while “e” as a prefix of “motion” here, shows metaphorically, that in normal situations we can detach from our inner self as being human. At the same time, we can arbitrarily alter our cortical motion processing in an ephemeral instant that we don’t have a chance to decide if our inner dialogue is legitimate.
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Dr. Monica Pessanha, Secretive, 2025.
Oil pastel, 20 x 16 inches, New Jersey. © Monica Pessanha. Photography: Alexandrea Weiss



This is an artistic representation of autism spectrum disorders (ASD) and their features.
ASD is a cognitive variation with atypical sensory-based behaviors. These behaviors are defined clinically by impairment in communication, social interaction, and behavioral flexibility. The symbols in the painting represent the jargon and complex words some people with autism may present. Sensory modulation challenges in autism can create difficulties in various settings, such as crowded places, classrooms, or workplaces, where overwhelming sensory stimuli may trigger sensitivities or seeking behaviors. These environments can affect the individual’s ability to focus or engage in tasks.
Scientific research has suggested that the process of forming actin filaments, a process essential for axons and dendrites development, is compromised in ASD. This process might lead to neuronal abnormalities; in this painting, represented in red.

This is an illustration of white blood cells in two different states: alive and dead.
All mammalian cells are equipped with an evolutionary conserved membrane repair machinery that works to constantly ensure membrane integrity. However, in certain conditions, such as virus infection, the cells can become apoptotic, a type of silenced cell death. In this sculpture, the live cell features the integrity of the membrane whereas the apoptotic cell features expansions of the membrane as cellular protrusions. Virus particles are represented in red.
Dr. Monica Pessanha, Bio-Fight, 2020.
Clay and acrylic painting, 9 x 8 x 8 inches. New Jersey, © Monica Pessanha. Photography: Alexandrea Weiss


Dr. Monica Pessanha, Organoid, 2024.
Recycled Material, 52 x 18 x 18 inches. New Jersey, © Monica Pessanha. Photography: Alexandrea Weiss


Blood vessels are tubes that belong to the cardiovascular system and carry oxygen-rich blood throughout our body, then deliver it back to our heart. Blood vessels include arteries, capillaries, and veins. They also take away waste and carbon dioxide from our body.
Here, we instituted unused and recycled material, such as clear braid tubing (blood vessel), plastic apple (head), gold accent table (stand), old mug for a photographer (“microscope”), old mannequin (torso), old Levi’s pants (“lower limb vasculature”), leftover dried paint from a painting session (platelets), gloves (pericytes), ziploc storage bags (plasma), and paper clay (red and white cells).
Dr. Monica Pessanha and Monique Souza, Bacteriophage, 2023.
Clay and acrylic painting, 34 x 7 x 7 inches. New Jersey, © Monica Pessanha. Photography: Alexandrea Weiss
Bacteriophages are viruses that infect and replicate only in bacterial cells. They all consist of a nucleic acid genome encased in a shell of phage-encoded capsid proteins, which protect the genetic material and mediate its delivery into the next host cell.
Here we used recycled material, which includes metal frame lamp cage (capsid), spiral cable wrap (DNA), old umbrella frame (tail tube), umbrella ribs (long tail fibers), stainless hex nuts (iron ions), spiral hair ties (sheath) and ceiling cover plate (base plate).

Artist

Dr. Monica Pessanha
Bio
Dr. Pessanha grew up in Rio de Janeiro, Brazil and attended medical school at a Federal University. In her third year, she discovered quantitative analysis in pathology and stereology, a field that requires sophisticated visual skills and a perspective of three-dimensional aspects of cells of the human body. Because of that, she developed the ability to solve medical puzzles from the clues provided by images.
Over the years, she noticed hidden shapes of the cells and the extracellular matrix components embedded in the images. Those cells and their shapes were well illustrated during the classes of anatomy and histology, during which Dr. Pessanha had to draw what she saw in the microscope and in the dissection laboratory.
Dr. Pessanha’s first works of art and collection started during the pandemic. She had to cope with the anxiety every scientist developed due to the universal pressure to understand the virus SARS-CoV-2 and its disease, COVID-19.
Statement
I think of my works of art as multiple science lectures and emotional outlets.
Working non-stop in an empty laboratory where I could only talk with the machines and computers showed me that art and science collide. Additionally, I realized that in science what I do is not about the product but about the process, culminating in original outcomes and reflections. The key in science is in “Material and Methods,” as it is in art. The only difference is that one is found in a laboratory whereas in the other, it’s part of an imaginative dialogue in only our inner world, sans machines or devices.
As a scientist, I would say that the real art in science is when I draw the conclusions explained through an abstract image that makes sense in a medical context.
Exhibitions
Past Art Shows
Immerse yourself in our art exhibitions showcasing the fusion of medical science and art. Explore the innovative and thought-provoking artworks that aim to raise awareness for cancer, heart diseases, and Alzheimer's.

Exhibition: Apo plus Ptosis, 2020. Closter NJ

Exhibition: Apo plus Ptosis, 2020 Closter NJ

Exhibition: Apo plus Ptosis, 2020, Closter NJ

Exhibition: Summer, 2024, Englewood, NJ

Exhibition: Winter 2025, Englewood, NJ

Exhibition: Pink Project, 2025, Paramus NJ